on perception and memory…

I met an old and dear friend for dinner this week, someone who is – outside of family – my longest-known-and-still-in-contact-with person. We’ve known each other 40 years, but have lived quite distinct lives for the last 35 – catching up sometimes rarely, but in that glorious “it’s as though the intervening time hasn’t happened” way.

And yet it has. Sitting, post-prandial, by the log fire in a wonderful rural inn, we spoke about various Stuff that’s happened over recent years, and there was a sudden lull. A joint pondering. He said, “man, but there’s been so much…”

So much Life, is what he meant. Between ‘us then’ and ‘us now’, we have each lived full grown-up lives and despite the natural familiarity are, in fact, largely strangers.

Which got me thinking – good, positive pondering, like a visit from the Muse – about this friendship, and others, spanning years and yet to all intents fixed on a small space of actuality: a tiny fraction of Time Known, where there was a tight connection, with the intervening years enhanced by that strong sense of recognition – a tie, a bond, a lasting connection – which is actually a memory, a perception, and no longer a reality.

My dinner companion was a hugely important part of my life 35 years ago, and the essence of that remains. I’ve spotted him, occasionally, in other men, in other decades. The glimpse always draws me. It’s that memory of something… perhaps it’s unfinished business from a previous life. Perhaps it’s a quest on behalf of an alternative self in a parallel world. Perhaps it’s just a hunger.

Ah, but it was a gentle and welcome Muse. It resulted in a poem:

the idea of you

A thing or two

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.

Half a million words

lie in my basement

(our basement)

tumbled in wait for

post-apocalyptic feast

when I will devour them

alone

in one

long

gluttonous

wordy

orgy

.

No.

I will savour them

slowly, in tiny mouthfuls

of delayed gratification

Enough for a book

or three, or five

Took that time to write

Take that time to read

.

makes me pause

wordless

devoid

.

I will eat my words

(our words)

Gone, carry on

This loss bears

no witness

.

I will feast

one final time and

watch the basement implode

                                                              ⁃ zand, May 2019

Exempt from public haunt…

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Here feel we not the penalty of Adam,
The seasons’ difference, as the icy fang
And churlish chiding of the winter’s wind,
Which when it bites and blows upon my body
Even till I shrink with cold, I smile, and say
’This is no flattery. These are counsellors
That feelingly persuade me what I am.’
Sweet are the uses of adversity
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head;
And this our life, exempt from public haunt,
Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in everything. 
         – As You Like It, Act II, Scene i

My fridge ‘poetry’, cobbled together on a sleety cold afternoon in the absence of anything outdoorsy to do, doesn’t come close to the magnificence of Shakespeare’s words. But the sentiment is remarkably similar. For the Duke, the woods brought restorative peace from the perils of a court that ousted him. For me, the vibrant Lancashire village to which I have returned offers something similar.

It’s been a tough four years, possibly five, maybe ten… either way, retreat to the woods was a judicious move. I’m now settled back on home turf, surrounded by the familiar and gloriously historical landscape of my formative years, welcomed back by family and long-standing friends after 33 years a-wanderin’… and it feels great. Tongues in trees, books in running brooks, sermons in stones and good in everything? Yes, yes, yes and yes.

My fridge poetry offering expresses – surprisingly more subconsciously openly than intended – the inspiration that now drives me to rise and enjoy each day. Life is good. Life is fun. Life is a tangible joy. Sweet are the uses of adversity indeed. Salut!

 

Hiatus

Travelling backwards on the 10:54

the past blurs in sideview

stretching ahead, growing distant

True passing.

What’s yet to come hides behind,

emerging into low sun cutting

winter boughs. Life stirs within.

And being blind to the future,

beholden to anticipation

alone, without clear sight

of a past speeding by

too fast to revisit,

doesn’t really matter.

None of it matters.

There is now.

~ Sandie Zand, February 2019

Hope is a dangerous thing

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‘Hope’, George Fredric Watts

I’ve been tearing around in my fucking nightgown
24/7 Sylvia Plath
Writing in blood on the walls
‘Cause the ink in my pen don’t work in my notepad
Don’t ask if I’m happy, you know that I’m not
But at best, I can say I’m not sad
‘Cause hope is a dangerous thing for a woman like me to have
Hope is a dangerous thing for a woman like me to have

Hope is a dangerous thing for a woman like me to have – but I have it, Lana Del Rey (album: Norman Fucking Rockwell, 2019)

You are not lost

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.

First the blow, then the huddle.

Wrap up, fold up, tight away

from the fray you hunker down,

productive till wakefulness

comes, zest revived, able to

discover anew a lust

for life, for love…

Wait. No. Perhaps not that

but life at least is good enough.

The sky looks beautiful today

cat antics make you smile

dashing beneath the bed covers

telling tail poking out and

doesn’t food taste good today?

Music soothes the soul.

Forwards.

Onwards.

Not back there, where hurt lurks

and familiarity breeds its contempt like

rabbits on heat or flies in summer or

festering black mould that can’t be

shifted no matter how you scrub

and bleach and think it gone.

It always creeps back

once it has a hold

You should know that by now.

Relax

It’s okay

The worst is past.

~ Sandie Zand, January 2019

There must be some word today

Whilst the world lunged forth into 2019, Fate’s divination zapped me back to the seventies and I haven’t yet managed to find my way out. Funny, but I’m happy lingering here, somewhere in the mid-late 70s, when summers were summery and life was simpler.

I saw a news article a day or so before the rest of you left 2018 – a mere glimpse as I scrolled, the corner of one eye just capturing the name ‘Karen Carpenter’ – and from that momentary input came an ear worm firmly planted:

Every sha-la-la-la-la, every wo-oh-wo-oh…

Twenty four hours of that and I had to listen to the song in the hope it’d go away.

It didn’t go away. It intensified. It was the unexpected portal to a past from which I’ve yet to emerge… primarily because I’m loving it here.

What a beautiful voice she had. My parents had the album and I’d listen to it – I’d sing along – with others that remain fixed in my mind from that time: the Bee Gees, Simon & Garfunkle, Barbara Streisand… many songs from whom have survived the test of time and are still enjoyable now. I’d lie on the living room floor when my parents were out, the record crackling in circles on the player, getting up periodically to turn it over (yeah, remember that?!), carefully place the stylus, and play the other side.

Delayed gratification of a type we no longer recognise.

With the ear worm refusing to budge, and the memories of a simpler time beguiling and not something I wanted to cast out, I downloaded the Carpenters’ greatest hits album on Apple music and listened to the lot. Songs like Goodbye to Love and Solitaire still make my heart ache, but I’m not entirely sure they’ve stood the test of time – I think my kids would find them very much of a bygone epoch. Though the sentiments are entirely current.

No surprise, I guess, as there are a limited number of plots for human experience… some say 6, some say 36 – either way, we’ve been singing the same songs of love won and love lost since we first sat round a cave pit fire, banged a few rocks, grunted in unison, and found we had rhythm. Prior to that how did we feel? Who knows. Perhaps we were less inclined to acknowledge hurts. Perhaps we just went out and bludgeoned a few edible critters. Got over ourselves.

Now… well, we reflect. We feel pain. We actually enjoy sadness to a point… and then it gets too much. There’s a fine line between melancholy and pain. Sometimes I wish I could just go out and bludgeon a few edible critters. Superstar, up next:

Play that sad guitar.

So, Yesterday Once More… beautiful and I reckon it’s stood the test of time. Goodbye to Love, not so much alas and yet that guitar riff towards the end is blissfully relevant. Solitaire… well… I find it hauntingly beautiful, and apt for our times, but I guess it’s now dated even if the context is relevant – moreso in our world of social media.

The song which has least stood the test of time is the one referred to in the title of this post: Please Mr Postman… which probably made me the most nostalgic. Do you remember getting letters???? It was wonderful! Letters, postcards – more glorious delayed gratification – and long-winded phone calls, tied to a fixed point, sitting on the carpet somewhere for hours because phones had wires that would only stretch so far, and that was that, we knew nothing else.

I’m not ready to join you all in 2019 just yet. I need to just listen a bit longer… but Happy New Year to those of you who’ve arrived. I’ll see you there later.

 

A thousand tiny pieces

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Just play this one out until it explodes into a thousand tiny pieces
What’s your story, universe, you are melody in numbers
You are shapes, you are rhythms, there are signs that we can learn
To place over the heavens, to predict how long we’ll burn
How long will I last, can I turn up the heat?
What star am I circling, what’s circling me?
Now my ebb and my flow, my lack of control
Turning on, turning off
Saying yes, but playing no
Things keep changing…

The Be Good Tanyas, A Thousand Tiny Pieces (album: Hello Love)

Noise

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A crow barks in a nearby tree

relentless in its rowdy call until

neighbour, three doors down left

shouts “shut up!”

 

I feel his pain,

yesterday it was someone in the

street shouting “hey Joe, Joe, Joe, JOE!”

to the point where you’re silently screaming

Jesus just answer him Joe,

and for three days now it’s been a squeaky toy,

bought for a new puppy, four doors right, whose

owners’ tolerance is to be frank surreal – the

utter depravity of this relentless noise – and

really only surpassed by the surprise brought

in the restraint then collectively shown as we sit,

quietly in our Cuprinol-fenced zones,

trying to read a book or make a call or just still

the mind to contemplate the depth and purpose

and trajectory of our sodding futures, only

to find ourselves haplessly stuck listening to this shit

valiantly managing to refrain from the loud

“shut up!” deafening within.

 

Shut up.

Just shut the fuck up.

 

So I now, three days on, hear the neighbour shouting

at the crow who has come to represent all that is

Disturbing, Intrusive and Unacceptable in this world,

and I want to echo his sentiment, or at least support it

with loud applause, but I’m too damned British and

so instead I sit in quiet glee,

just nodding,

just smiling.

 

The ambience changed this week as

neighbours are, it seems, collectively

on annual leave – how bizarre – but

booked, presumably, when the weather was

fair and all seemed perfect, and so

now they light barbecues in the rain

with grim Dunkirk spirit,

smiles kept bright, voices chipper,

squeaking their fucking dog toys,

and pegging out washing overnight

that still drips low each morning,

wishing they could cut the grass

and at least feel there’d been some sort

of productivity to it all

 

but

in the midst of it

if just one

finds the courage

to momentarily shut the world up

well, for that I am grateful.

~ Zand, 24thJuly 2018

Photo by Nina Strehl on Unsplash