A circuitous route…

999098_646811505347080_714063448_nSo I was in Glasgow this week and actually got beyond the station entrance to walk on streets I’ve not seen in over 23 years. And it was a curiously emotional experience, which I hadn’t expected – to view with old and simultaneously new eyes the glorious sight of Glasgow’s truly beautiful architecture, and feel revived, joyous, happy.

Clearly and thankfully, I’ve reached a ‘rose-tinted-glasses’ view of a time wherein I lived for several years in this city during the early 90s and latterly experienced so much pain and sadness. I’m free of that old woe, free to view the good memories (there were lots!), see it anew… and with this came a level of affection that really took me by surprise.

Anyway… I arrived at HQ slightly late, on account of the deviation into street exploration, and gushed perhaps incoherently to colleagues, before continuing the day without any further startling emotions. But the feeling morphed into a circuitous ramble when I later listened to some favoured music on iPod shuffle and remembered how I’d come across it.

The album is a weird one, I can almost guarantee nobody who’d see this (apart from my estranged husband, kids and the friend who gave it to me) will know this person and her work. The album is ‘Napoli Mediterranea’ by Pietra Montecorvino and is one I’ve been listening to since about 2003 – the year it was released.

It was first acquired by a Scot called Douglas – a dear old online friend who sent it to a mutual friend, Marilyn, with a message along the lines of “tried to like this, but failed, perhaps you’ll enjoy it”.  She almost immediately sent it on to me with a message along the lines of “Jesus, Douglas sent me this, awful, what do you think?”

I played it, was utterly hooked, and have listened to it a thousand times since.

Which just illustrates how taste is a fluid and perhaps even random preference, and friends are friends for many reasons but there’s no definitive set of shared criteria… they hated it, I loved it, and yet we all got on.

And thinking about how the CD came into my possession, and subsequently became part of my ‘very special’ collection of favourites… and how these two old friends had entered my life and ‘lived’ with me through some very difficult times… and how we’ve all sort of largely drifted out of touch… and how I was there, back in Glasgow, remembering all this stuff from so many years ago… and still loving Pietra’s music… and now able to re-love Glasgow again… well, I thought it worth sharing in case anyone else can also be moved to adoration by Pietra’s music (for every 9 folk who detest it, there’ll be one lucky soul who ‘finds her’, gets it, and loves it).

Pietra sings in Neapolitan, a distinct dialect of Naples, and I’ve asked fluent Italian-speaking friends to translate her lyrics and they can’t. Neapolitan is perhaps to Italian what Cornish is to English… an utterly separate language. And I love that she sings in such a distinctive and belligerent way – it’s clearly about the music and not the sales.

Here’s a taster… a sexy little duet:

The picture on this blog, incidentally, is a wonderful house I lived in for part of my time in Scotland – probably the most simultaneously happy/unhappy part. Weird. I’d moved out of Glasgow after 3 years or so and headed to the coast – where my novel The Town That Danced is set. And, indeed, this lodge house and the gorgeous castle to which it’s attached, are the very ones fictionalised in my novel. As are some of the local folk. But I could get sued for that, so I’d add that they are all very fictionalised.

And I spent a lot of time, at that point, working freelance for the organisation that now employs me, and so resulted in my recent visit again to Glasgow…

All things come around. All is linked. Circuitous is defined as a route or journey longer than the most direct way. In life, perhaps the circuitous route is the only route to take. Viva Glasgow, viva old friends, viva (re)finding my work tribe, viva life, and viva music that lives with us and stays with us throughout all other turmoil.

Viva to all o’it.


Perfect darkness.

Often late to the party, I persist in exploring new music (that’s new to me). Partly it’s because I subscribe to Apple Music and feel I ought to get my money’s worth – and so each month I make sure to find at least one new band or artist to justify the £9.99 fee. But equally, it’s about the continued quest, which mitigates against becoming stuck in a rut (of which I am eternally fearful as I think it leads to decline).

me, with my gorgeous headphones

So I’ve amassed a large collection of old, new and oft experimental stuff and, more recently, have invested in an amazing bluetooth player for the house and some totally funky and fabulous can’t-get-enough-of-them headphones for the rail travel I’m now doing lots of… and also for in the bath.

Which is where the “perfect darkness” comes in, as I love to lie there, by candlelight, cosy and warm, and lose myself inside these gorgeous headphones. It’s also the title of album and song from one of my more recent band finds.

A tiny taste of what I’ve found over recent months:

Adna – multiple albums – this song ‘Overthinking’ is from the album ‘Closure’ and is perfect bathing music. In fact, I think I only ever listen to Adna in the bath.

Agnes Obel – no idea how I came about this one, but again multiple albums and this song – Poem about Death – in particular is of the experimental vein, only enjoyed when in the right mood and certainly not everyone’s cup of tea:

Bear with me, they’re not all as weird as this one…

Ah, but dammit… there’s Camille – utterly fabulous, but also utterly weird. So many of her songs I adore, and she sings the best version of Too Drunk To Fuck’ ( as Nouvelle Vague). However, today I’m sharing her wonderful cabaret-to-punk-esque ‘Cats and Dogs’, which is just amazing, I love it. Here she is singing it live:

ElsianceNobody Knows – wonderful sound… another bathing toon. I just love her voice, though too much of it becomes melancholy.

Fatoumata Diawara – I think I came across her on a Radio 3 music show – wonderful sound, lots of albums to choose from, this song is called Sowa.

Finally… though I could easily go on… a fantastic band I discovered (late, yes!) through being an avid fan of Walking Dead – a brilliant TV series with a fantastic soundtrack. The band is Fink, the album the Perfect Darkness of this blog title, and the song is Warm Shadow.

I do love finding ‘new’ music, and I love sharing it – if you have any fabulous finds, please post them in the comments below!



A crow barks in a nearby tree

relentless in its rowdy call until

neighbour, three doors down left

shouts “shut up!”


I feel his pain,

yesterday it was someone in the

street shouting “hey Joe, Joe, Joe, JOE!”

to the point where you’re silently screaming

Jesus just answer him Joe,

and for three days now it’s been a squeaky toy,

bought for a new puppy, four doors right, whose

owners’ tolerance is to be frank surreal – the

utter depravity of this relentless noise – and

really only surpassed by the surprise brought

in the restraint then collectively shown as we sit,

quietly in our Cuprinol-fenced zones,

trying to read a book or make a call or just still

the mind to contemplate the depth and purpose

and trajectory of our sodding futures, only

to find ourselves haplessly stuck listening to this shit

valiantly managing to refrain from the loud

“shut up!” deafening within.


Shut up.

Just shut the fuck up.


So I now, three days on, hear the neighbour shouting

at the crow who has come to represent all that is

Disturbing, Intrusive and Unacceptable in this world,

and I want to echo his sentiment, or at least support it

with loud applause, but I’m too damned British and

so instead I sit in quiet glee,

just nodding,

just smiling.


The ambience changed this week as

neighbours are, it seems, collectively

on annual leave – how bizarre – but

booked, presumably, when the weather was

fair and all seemed perfect, and so

now they light barbecues in the rain

with grim Dunkirk spirit,

smiles kept bright, voices chipper,

squeaking their fucking dog toys,

and pegging out washing overnight

that still drips low each morning,

wishing they could cut the grass

and at least feel there’d been some sort

of productivity to it all



in the midst of it

if just one

finds the courage

to momentarily shut the world up

well, for that I am grateful.

~ Zand, 24thJuly 2018

Photo by Nina Strehl on Unsplash

Car crash


Photo by Chris Barbalis on Unsplash


there’s a car crash up ahead

i can’t see it, i can feel it – maybe this bend, maybe the next – perhaps i should go home

listen to yoga chants eat greens remember to breathe and try and recall a time where the roads were safe and a person simply continued to move forwards without fear and the checking of maps dials rear fore – all that anticipation… and for what? why journey at all if each step is predicted?

there’s a car crash up ahead and i’m in it

for one who needs to fix each moment in an aspic concentration carefully measured, this is abandonment, a failure of duty, a release of the wheel and a foot off the pedal

for one who needs to fly, it’s achievement

for one who flits twixt flight and fall, it’s inevitability

at last.

there’s a car crash up ahead and all the yoga chants in the world won’t cease the crush of iron will and failed peace and longing and hope and noise and quiet and lies and truth as they touch mingle melt and meld into a fireball of inevitability, a journey’s reckoning

there’s a car crash up ahead

and no time to get home.

Zand, 15th June 2018



Foot on the accelerator



A sweep of grey concrete opens before you

Cresting, dipping, turning in to the

hard line of the commute – coloured steel

hues melding into a slow line of duty,

the flow of morning conformity.

Commute, comply, coexist, why not?


You have your foot on the accelerator

as the distant light turns from green

to amber –


closer than you think?



– you have your foot on the accelerator

as the nearing light turns from green

to amber, you are the pilot on automatic

who for a second’s moment sees impulse

as choice whilst choice becomes impulse

though who knows the Truth of it anyway?

Decisions are made, one’s own life

obtusely held within one’s own capable hands,

and the foot pauses or presses,

movement halts or flies – almost on a whim

As if nothing drove it. As though it were random.

You continue, Commuter – a momentary

annoyance for those paused unwittingly

or a heartbeat’s fear for those in your way.

Remind them: memento mori. It’s good

for the soul to de-commute for a bit.

De-comply. De-conform.

Cease to coexist. Detach.

Be a Good Citizen of the Road

but don’t lack imagination –

when all’s said and done it’s what we have left to work with.


For now, you are the god of the road.

Decisions and choices are made by those who lead.

Conformity may be your creed but Impulse is your devil,

Choice remains your elusive Holy Ghost, and the

poet racks up another few lines no matter what.


Commuters reach their point, beyond warm concrete

which now rests a while, it doesn’t care either way.

The foot lifts from the accelerator.

The heart beats.

Zand, 8thJune 2018

a little life…

maxresdefaultI’m reading “A Little Life” by Hanya Yanagihara, and this is but a partial review of that book, given I’m only a few chapters in. But, oh, the writing is so sweet that I needed to speak out early. Take this:

The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seat-mates’ faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand. 

When I read writing like this, there’s a huge temptation to throw down my own pen – just spend the remainder of my years reading more similarly quality stuff. But, no… that’s not the Right Thing To Do. What’s essential, for any writer, is to read what they enjoy, spend time reflecting, and work out why is this so good? We should be inspired rather than defeated by another’s work.

This particular passage (and much of the rest I’ve read to date) is so damned good because of its clear and simple evocative pull. I really *am* on that train and immersed in the world of those downtrodden characters… And what else is fiction writing other than that escape into another world, no matter how grimy and Real..?



Dens sapientiae…


…. or ‘wisdom tooth’ as we might say nowadays.

I went to the dentist today and had confirmed that I am teething. Yes! At the grand age of 53 years, I have a Wisdom Tooth coming forth. Hallelujah! I am so very excited at the prospect of finally being wise.

The pic is my younger daughter, who turned 16 today. The other is now 18. Where does time go? In the dentist’s, a curious toddler was running his grandparents ragged in the waiting room – grandparents, I might add, who didn’t look that much older than me. I smiled, as I waited, watching his antics… and thought before you know it, he’ll be grown.


Here they are, the 18 year old and the 16 year old, obviously before they reached those ages.

I wonder what Wisdom will entail? My dentist – and my colleagues – find it mildly hilarious that I am teething. I tell them yeah, but I will be SO wise! And I actually believe it. As though, once the tooth has made its total entrance, all manner of stuff will become Known To Me. Yes.

A namesake of sorts (my maiden name is Teasdale) wrote a pome on the subject of ‘Wisdom’ and, somehow, it seems particularly apt with this teething thing and the two daughters reaching significant ages…

Wisdom – Sara Teasdale

When I have ceased to break my wings
Against the faultiness of things,
And learned that compromises wait
Behind each hardly opened gate,
When I have looked Life in the eyes,
Grown calm and very coldly wise,
Life will have given me the Truth,
And taken in exchange – my youth.


Happy birthday to my darling daughter who has brought, and continues to bring, such Joy.

And here’s hoping for Wisdom, for us all… 😉


Just a tall child…


I was in Oxford yesterday and happened upon a sale at The Ruskin School of Art. I had to drag my eldest in – she really wasn’t remotely intrigued – and once there, we proceeded to browse intently this offering of energetic, creative youth.

I bought the artwork shown here. It resonated, probably way more than it should have done given that I’m ancient and the artist a mere babe… 😉

The artist is: http://www.jessicaheywood.com and I liked a lot of her stuff at the exhibition. This one in particular. She also writes painful but often beautiful and raw poetry.

On the way down to Oxford – a 2 hour drive – daughter and I had waxed lyrical on feminism, politics, humanity, life… the usual fare, we have a healthy regular line in conversation… and much of what we saw adorning the walls of the Ruskin School seemed – to me – to echo our conversation, and indeed many other conversations we’ve had.

Alas, no. My daughter was quietly horrified at what she saw as (and I paraphrase here) “teenaged doodles, not art”. When I suggested we’d finished browsing and should be heading back, her relief came in a hissed “yes, let’s go!”

For me, the exhibition/sale showed more of the same youthful energy and passionate belief I see, feel and hear each time we check out another university. The energy in these places is almost palpable, certainly to one as old (!) and long-toothed as I. So what we saw at Ruskin wasn’t ‘art’ because of its skill in recognised & approved techniques, or even in originality, or indeed execution (a lot of it was sketchbook stuff), but it was art to me because of its passion and intent. For my daughter, though, it was an awful and uncontrolled outpouring of her generation’s angst – everything bad she’s ever seen on Tumblr or college toilet walls, stuff you might think but certainly don’t ‘put out there’.

Interesting. She and I may appear to agree largely on political and sociological issues and ideals, but clearly we’re approaching our view of Life from two very different angles. I’ve been mesmerised by our trips to universities – simultaneously admiring, adoring and thrilling to all these marvellous young folk embarking on their adult lives… whilst a tiny (but significant!) part of me envies them their vast choice… they have *everything* ahead! Whereas my daughter… well, this is her generation – she’s grown with them in life and all over social media and she’s just not as impressed as I am with their stance(s).


I bought another ‘artwork’ recently… a piece of hand-made paper I’ve framed and put on my bedroom wall. I love it. That’s why I call it art.

But what really is art? The experience with my daughter shows me that it can – and cannot – be anything, depending on who’s assessing.

She and I listened to a lot of (my) music on the drive to and from Oxford – and I’m always warmed when she asks “who’s this?” and then Googles it… but there’s a lot she must be quietly dismissing and, again, what resonates with me as a passionate or otherwise appealing piece, can – and does – leave her cold.

We did, once more, find agreement on certain musical pieces, though – and this one in particular:

… which, it could be said, is also a work of art.

01:17 a.m.


So You got hacked
and now my phone is dead
from following an
email link
which came late
when i was weary
and trusting
and i
forgot to remember
You’re a virus
leaving me unable to communicate
with those who
don’t follow
late night links sent
from idiots whose
idea of fun
is tying up time
in online bondage
time that could have
been spent
with me...
You’re a digital virus
rendering me mute
You should have
called instead.

 sandie zand, 01:17 3rd Feb 2018

Hot air

breath on ice



this is how it goes

vague white fading

to colour and

the world righted

in a handful

of cracks


and this really is




when breathing

hot air onto ice.


we will find time, of

course, before the melt

to write

about the beauty

of Chione’s touch – oh

such divinity in nature –

and exalt perception’s

glistening, how it

invites us anew

to capture, contain,

describe, admire,


bring meaning


we will share

oh god will we share – out there,

beyond our sphere, reaching into places which

should be out of reach but are not

– and in this sharing,

this caring if you like,

(you like? yes, you like)

others will





we are.


but we will still

blow hot air on ice –

we will write our world



(Photo by Marcus Löfvenberg on Unsplash)