Thanks to Charlotte Castle for a Facebook link to the PostSecret website – a glorious find.
People send anonymous secrets on postcards and these are collated into books (available via the website). The display on the website itself changes daily, but there’s an archive too.
Some are poignant, some funny, some discomforting – all are stories in miniature; tiny graphic flash fiction. They’re quite beautiful.
C S Lewis said, miracles are a retelling in small letters of the very same story which is written across the whole world in letters too large for some of us to see. These postcards – their tiny summations of big stories – perfectly illustrate this. We hear, see and read details about other people and their lives constantly. Swamped with information, impact can be lost and it takes something simple to hit home and make us think.
One of today’s offerings was hand-written on a postcard showing a black and white movie clip of two men in suits pointing handguns. It read: She lied, I NEVER Raped her. So simple, so poignant and behind those six words, an event – a story – the impact of which doubtless spreads beyond the two people directly involved.
The fiction writer is forever seeking these small nuggets – shrinking down the noise of all we see, hear and understand about people to find these simple core notes. Once we’ve found them, and have our pitch, we expand them again. But for us, the trick is expanding into a more controlled noise, so that this essential nugget isn’t lost as it often is in life.
The postcard at the top of this blog I thought intriguing. It triggers a thousand stories.
The one on the left just resonated personally… I know. Pathetic, isn’t it?
Having recently moved to the delightful town of Shrewsbury, I am a Townie again and it’s Grand.
Silence, broken periodically by the thunder of a milk-tanker passing the house at 80mph or a nearby cow in labour pain, has been replaced with the glorious revelry of Friday night drunks. Just now a party of hens has staggered by, singing badly but with commendable enthusiasm – an exultant symbol of Life (though I wouldn’t want their heads in the morning).
We can walk everywhere – river, park, shops, restaurants, theatre, school… in fact the latter is so close to the house that once I’ve taught my country bumpkin children a bit of traffic sense so they can see themselves over the road, I shan’t even need to get dressed until it’s time to nip to the Deli for elevensies.
I was, towards the end of our rural life, going quietly insane. Whilst village life and a small school were quite brilliant when the children were small, we’d all pretty much outgrown the Good Life and the negatives were beginning to niggle. I was utterly sick of the sight of green fields (I know, I know, it’s an awful admission) and the sound of silence, and it was a royal pain in the bum to have to get in the car just to buy bread.
We miss our lovely friends – though we’re not far away and they all have an open invitation – and the dogs miss the rats. But other than that, life here is just Grand. Of course, there is a potential downside: a person can’t spend much money in a shopless village, but in a town full of designer shops… Well. So far I’m being very good.
But last week I saw this gorgeous coat in a little boutique…
I’ve been reading a lot lately, working my way through a selection of books bought for research purposes from the 3-for-2 table in Waterstones. These are six books I’d ordinarily not have chosen and so settling down with them isn’t quite the same as when approaching a new desired choice.
Having just finished one I found truly awful – I shan’t name it… it’s my opinion only – and feeling I’d wasted a few days persisting with that read, I reluctantly picked up the next on my list. It was Family Album by Penelope Lively – an author I’d not read before, having always assumed her to be writing for the kind of female who devours Woman’s Own magazine and things of such ilk.
So I was surprised to find it not only a wonderful story, and my sort of story, but a beautifully written one too. I enjoyed every carefully constructed sentence, loved the themes (which echoed my own favourites of perception, memory and its recall) and adored the old house in which the story was set. This crumbling Edwardian pile was as much – if not more – of a character as the people in the novel.
Using an inanimate object in this way is a powerful tool. In this instance, using an old house created both a strong, evocative setting and also served as a symbol of so much more. There were some glorious observations about what the house had ‘seen’ over the years – the memories and secrets imbued in its fabric, the effect it had on those who had lived there, its flaws and familiarities triggering happy and sad recollections wanted or not.
Having finished the book and not yet ready to start on the next, I was instead today inspired to write a short poem which reflects the echoes left in my mind from that last satisfying read – about time, place, memory and the desire, yet often inevitable inability, to escape the past.
Stop the clock
Turn off the lamp as you leave
Stop the clock
Sweep aside the whispers
And echoes of this game
Pack them up
Put them away
Stop the clock
Let dust settle on thoughts past
Leave faults to creak unheard
That which cannot be fixed
Shall remain broken
Stop the clock
Close the door
~ Sandie M Zand, 25/10/10
I was flattered to be asked by the wonderful Year Zero writers to pen a short for the guest author slot on their website this month.
Anyone who hasn’t already checked out the shorts written by the Year Zero writers themselves is missing a treat – great stuff by fantastic writers. I’d recommend taking a good browse through their site.
Their events are a treat too – readings, live music, wine and good company… life doesn’t get much better than that.
Have been very tardy in blogging about this event, but I gadded off to another book-related social happening just a few days after York and have only now – a week later – recovered from the resultant hangover.
This was a great event – made all the more so because I met up with Authonomy writing friends, some of whom I hadn’t met before. Between workshops, speakers, one-to-ones with agents and the bar, we hardly stopped for the whole weekend. Very tiring, but informative and great fun too.
On the Friday evening I took part in the Authonomy Live! competition. This consisted of standing on stage in front of 300+ people and reading an extract from my book. Given I’ve never read any of my work to another human being in person before (late-night, drink-fuelled film-making in my shed and reading out loud to the dogs don’t count) it was quite a nerve-wracking prospect.
But… I did it! And without making fool of myself too – which, given the amount of vodka and wine I’d consumed before taking to the stage, was a minor miracle in itself.
You can watch it here, along with the judge’s verdict:
I changed the title of my novel at last. It’s now called The Sky is Not Blue.
I think it’s a massive improvement on the old title (The Tipping Point) but several weeks on and I’m still instinctively thinking of my book under its old name. What can I say? I’m a creature of habit at the best of times. Eventually I’ll get used to this new, improved and relevant title.
It comes from a line in the book…
I’m not now sure whether I see Alice as a higher being, a person of such moral strength she can face Truth and look it in the eye without fear; or someone who’s just blind to her predicament, who occupies the same vacuous space as anyone else and finds meaning in each ingrained repetition and never contemplates what her purpose might have been, what anybody’s purpose might have been.
Or perhaps she just craves pain. Some people do.
She said she was rested, we could carry on. She said the view further along was breathtaking. She sounded like an advertisement. She looks across that void and only counts colours, shapes, the lack of concrete. She doesn’t hear the ancient screams lingering in the wind, doesn’t feel the water’s icy shock, the vile suck as Life is dragged down into darkness. The water is not blue. The sky is not blue. I’m not even sure the hills are green.
… but also reflects the novel’s key themes of perception, memory and how these deceive, as well as fitting with the ongoing artistic imagery throughout the story.
I’m happy with it – I just need to get used to it now!